Hidden Along the Tiber

You may be wondering where they build their sports facilities in a city that constantly builds on top of itself. The answer lies on the banks of the Tiber, color coordinated and all.

C'era una volta...

Once upon a time..

I descended the stairs that lead down to the biking and walking paths that hug the curves of the river. (This can be a dangerous place depending on which neighborhood you're in. Wear suitable walking shoes and watch your step, lest you find yourself with a dirty needle through your foot.)

It was midday and a few bicyclists passed as I photographed a few of Rome's 27 bridges. After a good stretch, I found a ramp leading up to the street level, steep enough that I couldn't see up it. Halfway up I caught a whiff of cigarettes and a few steps later felt the fight or flight of adrenaline and my heart speed up. A man and woman reclined in dirty sleeping bags, opened beers on either side of them, speaking an unintelligible language made husky by tenor voices. Fear has been such a foreign emotion. I let myself be overcome by it and quickened my pace, staring ahead and pretending great purpose. I know better than to ignore that panic inside of me. There's no point rationalizing fear within a person who's generally fearless.

Something was not right.

75 Kilometers to Go

With 75 kilometers to go, I recline in the passenger's side while Settimio manouvres his Mercedes-Benz along streets leading to Rome. The beautifully belted notes of Pavarotti are too loud to fall asleep to so I keep my eyes open and my mouth shut, still trying to ignore the sour smell of sulphur lingering on my skin. I want comfort, but instead find my feet in wet, gritty shoes and my hair in tangles, matted against the back of my head. The opera continues. I count down the markers back into the city, replaying the events of my Halloween and how we got to Tivoli...

Alle dieci...
I knock on my landlady's door to inquire about the time of our departure. She ushers me in for an espresso while we wait for her friends to arrive with cars to leave the city. She is an older lady and so I expect that her friends will be in their late thirties. The weather is unpleasant. When we go outside to meet them the sky spits on our heads and laughs wind against the face, a little sting, just to be cheeky. We have coffee together, now 8 in total, and go on our way.

Alle undici...
Three vehicles make the evacuation from the city. I'm in the car with Settimio, who speaks no English, and Marco, who speaks for both of them. Marco translates enough small talk to fill the ride to my landlady's favorite country restaurant. The season becomes more autumn as we move deeper into the countryside. Trees turn to yellow with a few deep pops of red, splattered almost accidentally across the landscape.

Al mezzogiorno...
We enter a dining hall and sit at a table for ten, wondering if we should have brought two more friends. The courses are all ordered for me. Fresh, local prosciutto to start and warm toast with homemade extra virgin olive oil. For the first course, polenta, fettuccine with a light and creamy mushroom sauce, and pasta bolognese. For my second course, I have rosemary chicken, golden potatoes, and broccoli. We polish uncountable bottles of local wine, and follow up the meal with espresso, limoncello, and some take dessert. By now we are feeling good and comfortable. Conversation shifts to local hot springs, which I'm sure always sounds like a good idea after you've stuffed yourself silly.

Alle tre o quatto....
By three or four we've already stopped by my landlady's country home to pick up towels, which is always a funny word in Italian: l'asciugamano. We head to the Acque Albule, hot sulphur springs in the town of Tivoli, the waters of Virgil and Strado, once home to the extravagant Agrippa Baths. We strip down and join the locals, hiding from the cold wind in the warm sulphurous waters bubbling up from beneath the earth's crust. We scrub our skin clean with the mud and relax. I think, this is what we live for, moments like these. I find myself sharing in a tradition of the ancients, and somehow feel more connected to both the past and present. Bobbing in the various pools is like entering a time warp. A man 600 years old rests against the edge, that gritty mud caked deep in the wrinkles of his face, wrinkles he will take with him when he leaves, not because of his age, but because he has pruned his skin soaking in the water so long. Night falls and the winds grow ever colder. Red wine, not blood, moves through the veins and when we finally step out of the baths the actual temperature cannot be felt.

Falling Behind, Part I

You'd think we were still using water clocks. People like decapitated statues, another way to save face, taking agitated steps. Ancient Roman excuses in Modern Roman setting. There is no sense of being late. You get there when you get there.

Daylight Saving Time has officially ended in Rome and I gained an hour this morning without notice. An old friend I had been chatting with had said, "I should go to bed. It's 20 to 4 here." I thought how impossible this was, adding six hours to his time and thinking he had read the clock wrong. My landlady informed me of the change a few minutes ago. In the States we don't fall behind for another week. (We're behind in falling behind.) I wondered what this meant for my roommate. She left early this morning to catch a 9 a.m. train to Pompeii. Maybe her phone changed the time automatically the way mine did, but what about the other girls? And why didn't our program inform us that the time would be changing, especially considering we have mock exams the Tuesday we come back to school? I keep saying, "I'm not even surprised."

I suppose it's fitting here, too.

As Heard at Interlingue

"Listen! Guys! As we say in Italian, sometimes you just have your ears covered with prosciutto."

Here are some other funny idioms:

Prendere due piccioni con una fava

(To take two pigeons with one bean)

A. Via Boezio

Skype in the 1960's

I miss your face.

Sweet Bourbon Perfume

Setting: grammar class. The teacher asks for examples of using the past continuous tense to give the atmosphere/setting of a story before describing main events. I read the mess of scribbled nothing on my paper:

From the crown of the Janiculum, light was pouring over edifices born in antiquity. Pigeons were pecking for nothing but dirt at the feet of passersby while the heavy-footed stomped in expensive Italian leather. The sun was losing its orange and we were losing morning, losing time.

A girl in the back row comments, "You should be a writer." I simply smile in reply.

----------------------------------------------------------------------

Thud, thud, thud. Tired feet wanting to give up with every step. A teenage boy and girl lean against the hood of a parked car. Her crimson locks catch the sun and shatter the kaleidoscope reds all around her. Some of the glints touch my face and I slow down without thinking. When I get close enough to smell her sweet bourbon perfume, I make contact with big amber eyes, freshly wet with the dew of heartbreak. The boy gestures in annoyance, and in animated voice, says:

E perché scrivi "è morto?" Perché è fatto! È finita!

(Why do you write "is it dead?" Because it's done! It's over!)

I look away, suddenly embarrassed by my violation, but my existence goes unnoticed. She continues staring through the world around her, tearing spatial fabric with her gaze, eyes bobbing in a sea of temporary misfortune. With much swifter steps now, I shuffle home, wondering if that girl penetrating the illusions around her will ever come back. Teenage love is so tragic and fatalistic.

A quick click to the right and I enter my apartment.

A Haunting in the Roman Forum/Palatine